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Glances Behind the Scenes: On Nicolette Polek's "Imaginary Museums"
Review Charles Ellenbogen 5/25/21 Review Charles Ellenbogen 5/25/21

Glances Behind the Scenes: On Nicolette Polek's "Imaginary Museums"

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Doom-Scroll: On Lauren Oyler's "Fake Accounts"
Review Bekah Waalkes 4/27/21 Review Bekah Waalkes 4/27/21

Doom-Scroll: On Lauren Oyler's "Fake Accounts"

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Without a Care in the World: Jonathan Franzen in St. Louis
Essay, Review Liam Bishop 1/8/21 Essay, Review Liam Bishop 1/8/21

Without a Care in the World: Jonathan Franzen in St. Louis

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A Prophet on the Bleeding Edge: On Don DeLillo's "The Silence"
Review Bailey Trela 10/30/20 Review Bailey Trela 10/30/20

A Prophet on the Bleeding Edge: On Don DeLillo's "The Silence"

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Looking Backward: On the Peculiar Thinness of Rebecca Solnit’s "Recollections of My Nonexistence"
Review Camille Jacobson 5/28/20 Review Camille Jacobson 5/28/20

Looking Backward: On the Peculiar Thinness of Rebecca Solnit’s "Recollections of My Nonexistence"

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Thought, Still Looking Around: On Lauren Berlant and Kathleen Stewart's "The Hundreds"
Review Matt Morgenstern 2/3/20 Review Matt Morgenstern 2/3/20

Thought, Still Looking Around: On Lauren Berlant and Kathleen Stewart's "The Hundreds"

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Anxieties of Cohesion: On Ben Lerner’s "The Topeka School"
Review Paul Buhle 11/11/19 Review Paul Buhle 11/11/19

Anxieties of Cohesion: On Ben Lerner’s "The Topeka School"

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Life Sentence: On Lucy Ellmann's "Ducks, Newburyport"
Review Liam Bishop 10/14/19 Review Liam Bishop 10/14/19

Life Sentence: On Lucy Ellmann's "Ducks, Newburyport"

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Apartheid’s Mutating Legacy: On Masande Ntshanga’s "Triangulum"
Review Matt Loreti 6/24/19 Review Matt Loreti 6/24/19

Apartheid’s Mutating Legacy: On Masande Ntshanga’s "Triangulum"

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