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Revisionist Histories: On Hannah Regel’s “The Last Sane Woman”
Review Sophie Poole 12/3/24 Review Sophie Poole 12/3/24

Revisionist Histories: On Hannah Regel’s “The Last Sane Woman”

In revisionist feminist art and literary histories, a premium is placed on the young, suicidal woman

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What was Ukraine?: On Volodymyr Ishchenko’s “Towards the Abyss”
Review Signe Swanson 3/7/24 Review Signe Swanson 3/7/24

What was Ukraine?: On Volodymyr Ishchenko’s “Towards the Abyss”

Ishchenko argues that the burden of the post-Soviet left is debatably its greatest asset: that people remember how it felt to be part of communism’s utopian project, and that before today’s war, a strong plurality of Ukrainians felt ambivalent about, not hostile to, its cause.

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After Populism: On Borriello and Jäger’s “The Populist Moment”
Review Jordan Ecker 2/9/24 Review Jordan Ecker 2/9/24

After Populism: On Borriello and Jäger’s “The Populist Moment”

The material conditions that underpinned social democracy have disappeared. Against this backdrop, left populism constitutes a sincere, but plaintive, desire for the lost world to return. 

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Freedom and Information: On Anabel Hernández's “A Massacre in Mexico”
Review Eric Sandy 10/17/18 Review Eric Sandy 10/17/18

Freedom and Information: On Anabel Hernández's “A Massacre in Mexico”

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On the Creative Destruction of Everything: On Oli Mould's "Against Creativity"
Review Austin Sarfan 10/9/18 Review Austin Sarfan 10/9/18

On the Creative Destruction of Everything: On Oli Mould's "Against Creativity"

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