Can there be a reparative mode of reading the earth, Dreaming seems to ask, that draws us into an epoch of the geopathic? Or a mode of repair that does not draw from the paradigm of work and working?

Wo’s is a drag poetics, intentionally unearthing all the unexamined bits of personhood, nature, and language itself in a sizzling burst of sequins.

Sideline aside, talk just to say, speak just to hey, sound just to chorus. Take long sustain sounds, remove the attack & decay to assemble tones. Lower & raise pitch, make the levels consistent, string together a long-ass DRONE.

It’s with some irony and agony that in 1994 Palmer was asked to contribute to Danish publisher Iselin C. Hermann’s series of autobiographical “notebooks” from innovative American poets.